PH 6½-6 pendant light
The PH 6 1 / 2-6 pendant light by Louis Poulsen is based on the three- shade lighting design by the Danish designer Poul Henningsen from the late 1920s. Thus, the PH 6½-6 pendant light is not only a design classic, but at the same time up to date on the state of the art. Because the PH 6½-6 pendant light by Louis Poulsen delivers through its well thought-out design and special arrangement of the reflectors an absolutely glare-free light. The furnishing experts from the TAGWERC Design STORE recommend the PH 6½-6 pendant luminaire as the perfect zone light.
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Designer Poul Henningsen himself commented on the creation of the PH 5 lamp, on which the PH 6 1/2-6 model is based, with the following words: “After 33 years of fundamentally Christian behavior, I have converted to Islam in relation to my broken relationship with the manufacturers of light bulbs. For a long time I believed that consumer consideration and common sense would predominate, but now I’ve become a fatalist. I have accepted fate and, with the approval of Louis Poulsen, designed a PH luminaire that can be used with any kind of light source – light string or 100 watt metal filament lamp. Although a fluorescent tube in the existing form would be too much!”
In the TAGWERC Design STORE, you will receive the pendant lamp PH 6½-6 and its little sister, the pendant lamp PH 5-4½ in all available versions of the licensed manufacturer Louis Poulsen. Replacement parts for the pendant lamp 6½-6 are also available from TAGWERC.
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Material
- Material
- Varnishing
- Colour
- Suspension
- Canopy
- Rolled aluminium
- Liquid painting
- white
- Aluminium / Steel
- Metal
Dimension
- Height
- Diameter
- Textile cord/Steel cable length
- Textile cable colour
- 50.00 cm
- 65.00 cm
- 400 cm
- White
Leuchtmittel
- Base socket
- Max. Power
- Finish
- Dimmbar
- Bulb included
- Austauschbare LED
- ./.
- LED MAX. 96 WATT
- Warm white
- Ja
- Yes
- Ja
The PH 6½-6 pendant light was designed by
Poul Henningsen
Poul Henningsen is one of the most important Danish designers of the 20th century. With his designs and design works in the style of Functionalism and using innovative techniques, the native Dane was far ahead of his time. The designer and journalist was socially involved and focused on lighting.
